Acougueiro

🔷 STYLE Hyperrealistic cinematic photography, gritty working-class social realism, dark humor, raw documentary aesthetic with warm oppressive tones, heavy film grain, inspired by Brazilian neighborhood commerce photography meets Marvel live-action character design. Emphasis on texture — raw meat, dirty surfaces, worn apron, metallic claws. 🔷 SUBJECT [USE REFERENCE PHOTO — preserve 100% of the person's visual identity] Replicate exactly the person's facial features, skin tone, body type, age, hair color and hair style (length, texture, cut) and gender expression from the reference photo. Dress them in simple everyday casual street clothes — plain t-shirt or blouse, jeans or basic pants, flip-flops or simple sneakers, small bag optional. Relaxed waiting posture leaning on the counter. The clothing and appearance must reflect the identified gender in the reference photo. Additional subject — Wolverine the butcher: Photorealistic live-action Wolverine — iconic mutton chop sideburns, intense furrowed brow, stocky powerful physique — behind the counter in a heavily blood-stained white butcher's apron, three adamantium claws fully extended on his right fist, slicing raw beef on the butcher block with total professional focus. No rage — just a very competent, very unusual butcher doing his job. Additional subjects in the waiting line — Ronaldo Nazário and Pablo Vittar: Ronaldo Nazário — "O Fenômeno", instantly recognizable face and stocky build, dressed in simple everyday civilian clothes — plain shirt, basic pants, flip-flops or sneakers — standing in the customer waiting area of the butcher shop with a numbered ticket or just waiting casually, completely at ease. Pablo Vittar — recognizable face, in a casual low-effort drag look — a simple everyday wig, light everyday makeup (not glamorous), a plain blouse or casual dress, simple flat shoes — standing next to Ronaldo in the queue, equally relaxed. Both Ronaldo and Pablo are mid-conversation — turned slightly toward each other, animated and engaged, talking about completely ordinary things the way two people do while waiting in any neighborhood shop line. Their body language is loose, comfortable and friendly — old acquaintances killing time in the queue. 🔷 CONTEXT & SETTING A small, simple, slightly grimy neighborhood butcher shop in Brazil — an açougue de bairro. Worn white marble counter with dark stains, large raw cuts hanging from metal hooks, manual meat scale, glass display case, handwritten price board on the wall in marker, dirty tiled walls with old grout, a single buzzing fluorescent tube overhead. Plastic bag dispenser, butcher paper roll on a rusted holder. Along the side wall or just behind the main customer at the counter, a small informal waiting area — the kind found in every Brazilian açougue — where Ronaldo Nazário and Pablo Vittar stand in line, clearly waiting their turn, deep in casual animated conversation with each other. Everything is well-used, unpretentious and authentic. 🔷 ACTION The person from the reference photo leans casually on the front of the butcher counter — arms resting on the edge, watching Wolverine work — in the relaxed posture of someone whose order is being cut right now. Behind the counter, Wolverine slices through a thick cut of raw beef with his three extended adamantium claws — surgical precision, clean stroke, meat juice catching the light. His blood-soaked apron prominently visible. He glances up briefly with his characteristic intense squint toward the customer before returning to the cut. In the waiting area behind or beside the main customer: Ronaldo Nazário and Pablo Vittar stand side by side in the queue, turned toward each other in animated casual conversation — laughing, gesturing, completely absorbed in their chat about nothing important. Ronaldo is relaxed and grinning. Pablo gestures with one hand mid-sentence, cheap wig perfectly ordinary. Neither of them seems remotely surprised to be waiting in line at a butcher shop run by Wolverine — they are simply two people waiting their turn, talking about everyday life. 🔷 COMPOSITION Medium-wide shot across the butcher shop interior. The person from the reference photo occupies the left foreground leaning on the counter. Wolverine dominates the right side behind the counter — upper body, extended claws and raw meat on the butcher block clearly visible. Ronaldo and Pablo occupy the mid-left background — standing in the waiting area, bodies slightly turned toward each other in conversation, clearly visible and identifiable but secondary to the main counter action. The counter runs horizontally across the lower third as a dividing line. The dirty tiled wall, hanging meat, handwritten price board and fluorescent tube fill the background. The layered composition reads left-to-right: waiting customers (Ronaldo + Pablo) → customer being served (reference photo person) → Wolverine butcher at work. 🔷 LENSES & CAMERA Shot on Sony Alpha A7 IV with a 35mm lens, f/2.8 aperture, ISO 1600, 1/160s shutter speed. Wider than before to accommodate the waiting area scene without losing the counter detail. The fluorescent overhead creates harsh clinical light across all subjects equally. Shallow depth of field keeps the counter scene sharpest, with Ronaldo and Pablo slightly softer in the background but fully recognizable. The adamantium claws catch sharp metallic specular highlights. 🔷 LIGHTING Primary: harsh overhead fluorescent tube — cold bluish-white, clinical, the universal light of every Brazilian açougue. Illuminates all subjects with equal indifference. Raw meat and counter: vivid red-purple hue under fluorescent light, blood and meat juice creating small specular reflections on the worn counter surface. Wolverine's claws: clean sharp metallic specular highlights — immaculate surgical gleam contrasting against the filthy blood-soaked apron. Ronaldo and Pablo in the queue: lit by the same overhead fluorescent — their faces slightly shadowed from the angle but clearly readable. The casual warm body language between them contrasts with the cold clinical light. No special lighting treatment — they are just two people in a queue. Overall palette: cold clinical whites and blue-whites from fluorescent, deep saturated reds and burgundies from raw meat, yellowed dirty whites of apron and tiles, natural skin tones rendered slightly cool against the harsh environment. 🔷 NEGATIVE PROMPT No clean or modern butcher shop, no supermarket setting, no outdoor or bright daylight, no cartoon or illustrated style, no text overlays or watermarks, no distorted faces, no changed facial features from the reference photo, no altered hair color or hair style from the reference photo, no gender change from the reference photo, no extra limbs or anatomy distortions, no rage expression on Wolverine — professionally focused only, no retracted claws — all three adamantium claws fully extended, no clean apron — heavily blood-stained only, no missing raw meat on butcher block, no missing hanging meat in background, no missing handwritten price board, no blurry or unrecognizable faces on any named subject, no missing Ronaldo and Pablo in the waiting queue, no formal or glamorous clothing on either — simple everyday clothes only, no sparkle or sequins on Pablo Vittar, no sports kit on Ronaldo Nazário, no surprised or alarmed expressions on Ronaldo or Pablo — they must look completely unbothered and absorbed in casual conversation.