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🔷 STYLE Hyperrealistic cinematic photography, dark comedy social realism, sharp contrast between mundane fast-food chaos and heroic iconography, warm greasy fast-food interior tones against cool dark exterior night, subtle film grain, inspired by Brazilian urban street photography meets Hollywood blockbuster production design. 🔷 SUBJECT [USE REFERENCE PHOTO — preserve 100% of the person's visual identity] Replicate exactly the person's facial features, skin tone, body type, age, hair color and hair style (length, texture, cut) and gender expression from the reference photo. Dress them in a standard McDonald's crew uniform — red or black polo shirt with McDonald's logo, visor cap, headset microphone for drive-thru orders — all slightly disheveled and grease-stained from a busy shift. The uniform and appearance must reflect the identified gender in the reference photo. Additional named subjects in the background: Ronaldo Nazário — "O Fenômeno", recognizable face and stocky build, dressed in dirty torn street clothes, looking homeless — worn jacket, old baggy pants, cracked shoes, disheveled hair — sitting on the curb outside. Pablo Vittar — recognizable face, in a ruined, cheap drag look — smudged lipstick, a battered cheap wig, a simple worn dress, scuffed heels — also sitting on the curb, looking homeless and cheerful. 🔷 CONTEXT & SETTING A chaotic, poorly lit McDonald's at night — the kind found on a busy Brazilian urban highway or city block. Inside: fluorescent lights flickering, trays stacked unevenly, a messy counter with sauce packets scattered everywhere, fry baskets overflowing, a broken menu screen showing static in one corner, stressed coworkers visible in the background rushing around. The drive-thru window is open to the night outside. Outside the drive-thru window: a massive, imposing, gleaming Batmobile — the dark knight's iconic vehicle, jet-black with turbine engine details, angular aggressive bodywork, subtle blue-tinted undercarriage glow — idling with quiet menace at the drive-thru window, completely out of place in this greasy fast-food setting. The Batmobile is immaculate and spectacular against the grimy surroundings. In the deep background outside, visible through the drive-thru window and the restaurant's glass walls, Ronaldo Nazário and Pablo Vittar sit side by side on the curb of the sidewalk like two cheerful homeless people — both disheveled, in worn street clothes — sharing a cigarette animatedly, laughing and gesturing in lively conversation, completely unbothered. 🔷 ACTION The person from the reference photo is leaning out of the McDonald's drive-thru window, taking the Batmobile's order — holding a notepad or a drive-thru order screen tablet, headset on, looking equal parts exhausted and bewildered by the situation. Batman's gloved hand extends from the Batmobile's window holding cash or a credit card — only his forearm and gloved hand visible, the dark interior of the Batmobile mysterious and shadowy. The worker leans slightly toward the spectacular vehicle with the expression of someone who has seen everything and is still underpaid. In the background on the curb, Ronaldo Nazário and Pablo Vittar share a cigarette, passing it back and forth with animated gestures — laughing loudly, telling stories, completely at ease in their ragged state, as if they are old street friends having the time of their lives. 🔷 COMPOSITION The drive-thru window is the main focal point — center-left of the frame. The person from the reference photo leans out from the interior warmth of the McDonald's, bathed in the chaotic yellow-orange interior light. The Batmobile fills the right side of the frame — its nose pointing toward the window, gleaming dramatically, dwarfing the fast-food window with its imposing size. Batman's gloved hand extends from the vehicle window. In the deep background, through the glass and the open drive-thru space, Ronaldo and Pablo are visible on the curb — small figures in the dark, recognizable but clearly secondary, illuminated by a distant street lamp, sharing their cigarette in animated conversation. The layers of the composition create a visual comedy: glorious Batmobile in the mid-ground, struggling fast-food worker in the foreground, two famous homeless-looking figures on the curb in the back. 🔷 LENSES & CAMERA Shot on Sony A7 IV with a 24mm wide-angle lens, f/2.0 aperture, ISO 3200, 1/100s shutter speed. The interior of McDonald's is warm and slightly overexposed from fluorescent lights; the exterior is cool and dark with the Batmobile dominating. Slight lens flare from the Batmobile's undercarriage glow hitting the drive-thru window frame. Shallow depth of field keeps the foreground worker and Batmobile sharp while the background curb scene is slightly soft but still recognizable. 🔷 LIGHTING Interior (McDonald's): harsh, unflattering overhead fluorescent tubes in yellow-white, creating a greasy warm overexposed glow on the worker's face and the chaotic counter behind them. Reflections of the fluorescent lights on the stainless steel equipment. Exterior (Batmobile): the vehicle is lit dramatically from below by its own subtle cool blue-white undercarriage lights, making its black surface gleam with metallic reflections. A single strong exterior streetlight creates a heroic top-down key light on the Batmobile's hood, making it look cinematic and imposing against the dark night. Background curb scene: Ronaldo and Pablo are lit softly by a distant amber street lamp — warm orange sodium light casting long shadows on the sidewalk, making their scrappy figures look almost painterly. The glow of a cigarette ember adds a tiny warm detail point between them. Overall palette: warm greasy yellow-orange interior vs. cold dark blue-black exterior night, with the Batmobile as a gleaming silver-black centerpiece between both worlds. 🔷 NEGATIVE PROMPT No dry clean modern restaurant, no bright outdoor daylight, no cartoon or illustrated style, no text overlays or watermarks, no distorted faces, no changed facial features from the reference photo, no altered hair color or hair style from the reference photo, no gender change from the reference photo, no extra limbs or anatomy errors, no missing Batmobile details, no visible Batman face or full Batman body — only his gloved hand and forearm visible, no glamorous clothing on Pablo Vittar or Ronaldo Nazário — they must look homeless and disheveled, no sports kit on Ronaldo, no sparkle or sequins on Pablo, no missing cigarette detail in the background scene, no missing McDonald's uniform on the main subject, no overly clean or tidy McDonald's interior.